FOR half a century art critics have undertaken to address not a sophisticated minority like the readers of literary magazines, but the mass of unbelievers to whom twentieth-century art is a mystery or ...
He has survived loss, breakdown and schooling by ‘scary nuns’, but the anguish is still there in his art. As his new show thrills Paris, the US-based, Irish-born artist talks about the pain that ...
Abstract art often gets an undeserved bad rap. Many people famously dismissed Jackson Pollock‘s signature drip paintings in the 1950s, for instance, as being something that a trained chimpanzee could ...
In his preface to Abstract Art: A Global History—arriving this month from Thames & Hudson—Joseph Low (“Pepe”) Karmel, a professor of art history at New York University, writes that the goal of the ...